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ROYO DON SIMON MASTER THE UCM

Greetings, Royo-Bloggers ,

Sorry but the real work and burdens not lead us to better pace this blog ...

almost ignored us, our "cleric blowgun" masters these days is March ( theoretically days 1, 8 and 15 ), imparting his wisdom by UCM .

Immodesty our blowgun cleric is reflected in "its". Thanks to him know how we "ino-Culan" evil ideologies. Thanks to him you'll be so critical to have scarcity of criteria for life ...

appetit! If you know some of their classes, write us! Thanks!

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Simón Royo Program Dominecabra : http://www.ucm.es/ info/eurotheo/master/programme/P2.htm

MODULE P2 about the dialectic between "thought and image." The first, which considers them as opposites, conceiving the image as the vehicle inoculation of ideology and mental manipulation, if not as a means of over-determination and creation of subjectivities gregarious. The second, which regards them as complementary, making the image as the pinnacle of thought, not its lowest place, as a way to achieve a view of breaking with the established and to ensure that show that refuses to be stated or conveyed by other means. From this dialectical framework generally will affect the presentation of specific cases that exemplify the above almost in theory, the basis for it to mass media and films of today.
(Note: The program is organized by topics, with specific references and recommended in all specific film some of the same. Attached is accessible online material and the rest will be provided during the course. It can be kept as general references provided above).

01. The image as seduction and deception or transmission of the truth. Mythos and Logos: ideological manipulation and truth as an event. Criticism of television: problem of the constitution of subjectivity.

02. Three different ways of looking: looking up, down and reciprocal. From the beautiful and the sublime to the Apollonian and the Dionysian: the tragic thought.

03. The constitution of psychology at the time of the image in the world.

04. The aesthetic image and image as a commodity. The blurring of reality by the action of the machine.

05. The film as a work of art or as a reflection of social reality. Critical postmodernism and cultural criticism.

06. New forms of censorship: the scope of the visible and invisible. The obscene and secret. Public image, the private image and the overdetermination of sexual imagery.
07. The determination of the imaginary by the mass media and imagination as an anomaly. Possibilities for critical image and thought in a globalized world.
08. Iconographic variations: the use of picture of the historical and mythical. Messianism, leadership and dictatorship. Theories of genius to the defense of the singularity. The cult of the actor. The ranking of the eye and imagination of the flock. Power the media-political lie.
09. For a critique of sentimental education. Analytical and dialectical senses the image of reality. The image as a tradition of thought synaesthesia taxation or drill a look blind.
10. Summary and conclusions.